Lance Lopez 2

(Photo by Mark Bicham)

 

When it comes the time to work hard on creating and playing music, very few people in the world does that better than a blues or a rock musician. The Shreveport, Louisiana-born guitarist and singer/songwriter Lance Lopez knows that very well. Since he moved to Texas at the tender age of 13, Lopez had the opportunity to be "raised" musically by outstanding artists such as Johnnie Taylor and Lucky Peterson, two instrumental figures in Lopez's growth as a guitarist and singer/songwriter.

Lopez is now considered one of the best guitarists of this generation worldwide and universally recognised by fellow musicians and music press as the heir of the great Texan tradition of blues/rock guitar.

After a few year's hiatus of releasing new material, Lopez has now been involved in two records just released, one as a member of the supergroup Supersonic Blues Machine called West Of Flushing, South Of Frisco, the second as a solo artist, releasing a live album called Live In N.Y.C.

In a super-busy moment of his musical career as this one that Lance Lopez is living right now, it must be not easy to balance many things at the same time. "It actually helps me to stay very busy. It makes me much more creative when I am that busy, as long as I don't get too tired. When I am moving and travelling and playing and working on many different things, I find working on many things very helpful to me. It keeps me excited and happy, thinking about all those things happening and to look forward to. When I am working between different projects, it is important for me to do the right amount per time on each project, in order to keep things very fresh. It's all about balancing but to be busy, it's something that certainly helps me to stay very focused and creative".

Despite being a very prolific songwriter and an excellent guitarist and singer, it has been a while now since Lopez released either a studio or a live album (Handmade Music was his last release in 2011). Given his extensive touring schedule, Bluebird Reviews is wondering whether this was a stop gap from releasing new material that he chose purposely to do or Lopez thought that the time was not right to release a new album until now. "There were many different things happening that stopped me by releasing new material. I needed to find a new record company. The right one for me with the right deal, which has been for some times a major issue to resolve. Also, with putting out albums and especially working with Fabrizio (Grossi, producer and fellow compadre on the Supersonic Blues Machine project), I just wanted the albums to be very good and I wanted to be satisfied with them. I did not want to put out something just for the sake of it. We spent, therefore, a lot of time working on those recordings and making sure they were absolutely hundred per cent fantastic, before we released them. Those were really the main reasons. After I have been touring Europe, I think it was 2013, I came back to Texas, in the States, where I have been for the last three years writing more music, more songs and working on the SBM album. It has been a long time coming for new music to be released but that gave me the opportunity to focus on all these projects and ensuring I was releasing the right material at the right time, just when I was completely satisfied with them".

Bluebird Reviews has been talking to Lopez's brother in arms on the Supersonic Blues Machine project Fabrizio Grossi a little while ago. Through his larger-than-life personality, he brought to us all the excitement that Grossi, Aronoff and Lopez felt in recoding the band's debut album and how great it was working with so many music giants and fellow musician friends on the record. Our website was wondering whether Lopez felt as well that the album was going to be so incredibly magic too. "Yeah, absolutely. When I began working with Fabrizio, we felt immediately a great connection, musically speaking. We realised almost immediately that we were meant to work together. I knew it was going to be phenomenal, especially considering how much work we put into it. We really took our time and we really worked very hard on every single aspect of that album. That's what I like about Fabrizio so much. He is a hard working man and he likes to be a perfectionist, two things we certainly have in common, when it comes to music. The special connection between us made to work on the album being a very enjoyable journey, although hard to achieve. I have always worked very hard on producing and ensuring that all aspects of the production side were perfect on each of my previous records and I am aware that not everyone is happy to do that, in this business. Everybody just wants to hurry up their records and get them finished, while with Fabrizio, we just decided to finish the album when we felt the time was right. Many producers and many engineers don't like always to do this and that was really a major factor that made working with Fabrizio a fabulous experience. Now that the album is finished and it is out, it is nice to seat back and appreciate all the hard work that we put into it".

Supersonic Blues Machine

(Supersonic Blues Machine - From Left To Right Kenny Aronoff (Drums), Fabrizio Grossi (Bass), Lance Lopez (Guitar, Vocals))

 

Together with the Supersonic Blues Machine album, this extraordinary artist has also released a live album recorded in New York City and our website asked Lopez whether recording the album in NYC was a purposely pre-planned idea or did Lopez rather thought that, among all the live recording taped, the NYC performance was the most satisfactory for him. "That was not really planned. What happen was that the late great Johnny Winter invited me to perform at his 70th birthday party and he wanted me to perform for him, which was a big honour for me. Rather unfortunately, that was going to be the very last birthday party for Johnny (Winter passed away few months after). That night, given the very special occasion, we went on stage, played our socks off and give it all because we knew that was something that myself and the band did in Johnny's honour, not imagining in the slightest that a couple of months later, Johnny would have sadly passed. Rather unexpectedly and shortly after Johnny's passing , Paul Nelson, who was Johnny's manager and I was also working with, told me that they recorded that performance and were so enthusiastic on the outcome that they really wanted to release it as a live album. I told him I was going to check the recording out and see whether it was good enough for me to be released. When I heard it, it really blew me away, I thought it was fantastic. I saw somebody's video recording of that night on YouTube but obviously, the perception of sound you get from a roughly recorded video is completely different from a proper sound recording system. We had some engineers in New York mixing the live tracks and when I got the final mix sent back to me, I thought it was so wonderful that I really wanted it to release it as soon as possible. I didn't want to use Johnny's name for the promotional aspects and did not want to release the album shortly after Johnny's passing as a sign of my deep respect for his music and his artistry. I felt that now the time was right to do so and honour the memory of such a great musician and friend of mine in a very special night of music. That is the reason why the album wasn't released earlier".

Checking out the setlist, the material handpicked for the live album belongs mostly to Lopez's last studio album Handmade Music, with the sole exception of the crowd-pleaser El Paso Sugar (from the Higher Ground album) and a brand new track, Tell The Truth. We asked Lance Lopez whether there was any particular reason why the Texan artist decided not to add anything from a solid, beautiful record such as Salvation In Sundown. "Well, we were still, at that time, touring the Handmade Music album after a couple of years of its release, therefore it felt kind of natural for us to play tracks mostly from that album. What you hear on the album, it is just a condensed setlist of what we used to play on regular nights at that time. We generally played each night tunes from that album but also from the Salvation In Sundown album and my previous ones too. However, for the set at the BB King Blues Club in N.Y, we had to condens and shorten the setlist but still wanted to include the fans favourite El Paso Sugar and a song that is yet to be released on any of my studio albums, Tell The Truth, which is a song on which Fabrizio and I have been also working on for a future studio album".

The live album clearly reinstates the stature of Lopez's talent, a true performer at the peak of his game. But does Lance Lopez follow any particular ritual before he goes onstage? "I just like to warm up beforehand. I must make sure that the band is very well rehearsed and that my amplifier and all my equipment work properly. Then I like also to take some time before the show, say half an hour before going on stage and play some guitar backstage. That helps me to get in the moment, in that special zone in my head because when I then go onstage, in the middle of some of those guitar solos, I go to a different place in my mind and every time that special  moment feels like living a spiritual experience. That is why I feel I need to take that time before the show, to start channeling that kind of experience and share it with the fans".

Lance Lopez 1

(Photo by Sanders Photography)

 

Chris Reddan on drums and Mike Nunno on bass provided a fabulous backbone to this artist's thunderous guitar style and vocals on Live In NYC. "I actually lived in New York City many years ago for a while and Chris Reddan was a long time drummer for Popa Chubby. Mike Nimmo played with Lucky Peterson and various blues artists so I have known them both for a while. When I was touring the East Coast, I would use them as my rhytm section. Chris has worked for many great blues and rock artists and he is one of the number one drummers in blues/rock and one of my dearest and best friends. We all have a very good connection and Mike is absolutely one of the best bass player in New England and the whole of the East Coast. To play with those guys, that night, was a magical moment and I am really glad we managed to capture that moment in time and frame it forever on this record".

Lance Lopez's incredible talent as a guitarist has been compared to geniuses of the instrument, like Hendrix, Winter or Stevie Ray Vaughan. Many tend to forget though that he has also one of the most intense, powerful and deep voices on the current blues/rock scene. To be not recognised adequately for the quality of his vocals must be something that may disappoint Lopez, sometimes. "I am also a vocalist, you are very correct and I guess that, often, my guitar playing and the solos I do onstage might overshadow that aspect of my artistry. To be honest with you, I am not overly disappointed about that because I know that it is something that, my fans or whoever has listened to my studio albums. are aware of and appreciate a lot too. On this subject, working on the Supersonic Blues Machine album was also extra special because it gave me the great opportunity to showcase even further my skills as a lead singer, due to the amount of fabulous Special Guests playing guitar that we had on the album. That allowed me to relax a little and free me up, as a guitar player and focus more on the singing side".

Deep inside, many artists dream to reach immortality through their music. But how would Lance Lopez love to be remembered in a hundred years in an imaginary universal musical encyclopedia? "Nothing too fancy, maybe just the fact that I was the torchbearer of the next generation of blues/rock music. I feel I definitely followed the footsteps of those great artists of the past and present, people like Johnny Winter, Billy Gibbon, Stevie Ray Vaughan, Freddie King and all the greatest that came from the US state where I live. What I would love to convey as well, is also that I have tried to be the best musician that I could possibly be, playing in such a great band like Supersonic Blues Machine and performing with many artists, not just from Texas or American but worldwide for international audiences".

 

 

Giovanni "Gio" Pilato

 

Live In NYC and the Supersonic Blues Machine album West Of Flushing, South Of Frisco are out now and available on Amazon


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