Interviews

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It's funny the way the circus of the music business works. In the last decade or so, record labels have been increasingly in financial dismay, with most of them going bankrupt or even vanishing from the face of the earth completely.

On the other end and rather ironically, there has been (and there is still) an  impressive amount of new and promising rising stars, displaying so much natural talent that, for some of them, it proves difficult to be contained in just one record.

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You won't be able to find many 67-years old as talented, lively and charismatic on the face of the earth as California-based Blues/Rock Hero Walter Trout. His life's tapestry has been and still is something of almost a supernatural nature, given the series of life events that the guitarist and singer/songwriter has been through.

Among the many definition that Bluebird Reviews can find on the World Wide Web about the meaning of the word "regeneration", especially when it comes to biology, the one that our website likes the most is "The process of renewal, restoration, and growth that makes genomes, cells, organisms, and ecosystems resilient to natural fluctuations or events that cause disturbance or damage."

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It's almost inevitable, during everyone's lifetime, that some personal events would change the course of our existence, our personality and our attitude towards life in general forever. In these respects, the last 24 months of one of the most iconic Rockstars worldwide, Glenn Hughes, have been indeed full on, both to the artist's personal life and his musical activity too.

Between recovering from health issues such as a double knee's replacement and the loss of both his parents in a short period of time, Hughes, universally known as The Voice of rock'n'roll, has found the way to battle these hard times through music, the art form that comes more natural to the singer/songwriter and bass player. Between the space of 12 months, from the end of 2016 to the end of 2017, Hughes has released two albums, one as a solo artist called Resonate, recognized as one of the finest albums of his whole career and one with the project Black Country Communion called BCCIV, the fourth studio album of the Super-Group made by Hughes himself on bass and vocals, guitar guru Joe Bonamassa on guitars and vocals, drummer extraordinaire Jason Bonham and keyboard master Derek Sherinian.

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Every album constitutes a different and personal journey, in the life and career of every musician. For Louisiana's Blues/Rock Maestro Kenny Wayne Shepherd, the triumph of his latest album released in 2017, Lay It On Down, surely represents one of the most rewarding and successful artistic achievements of a highly successful career span that stretches to more than two decades of music, a career during which Shepherd has won numerous Awards, together with the unanimous appreciation of the music press from all around the world.

Chosen by a panel of music expert from five different countries as the worthy winner of the 2017 Bluebird Reviews Award as Artist Of The Year, Shepherd's new album sees the guitarist reaching a remarkable level of artistic maturity in many ways, not just as a songwriter but also as a singer.

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2017 is almost over and it was certainly another very satisfying year for music in general. In the blues and rock scene, in particular, there have been several records shining and impressing both fans and worldwide press, thanks to a perfect blend of originality, great production, outstanding quality of musical and vocal arrangements, the lot.

 

One of the artists that has left a strong mark in 2017 is, undoubtedly, Danish blues and rock King Midas Thorbjorn Risager and his collective The Black Tornado. Their current album, called Change My Game and released early this year, is the ultimate statement of an artist and a band at the top of their game. An album packed with great songs, first class arrangements and some of Risager's best vocal performances ever recorded by the Danish artist in his career, Change My Game reflects as well, through its sound and the vibes emerging from the record, the atmospheres and the colors typical of the Scandinavian Region, adding a cinematic effect to the musical dynamic of the whole album, a bit like watching a Nordic Noir movie.

  1. Under A Texan Moon - In Conversation With Jarrod Dickenson
  2. It's All An Accident! - An Interview With Wilko Johnson
  3. Parenthood, Heartaches And Other Stories - In Conversation With Erja Lyytinen
  4. Happiness Is A Warm Gun - In Conversation With Broken Witt Rebels

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