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- Written by: Giovanni "Gio" Pilato
GOV'T Mule (Feat. JOHN SCHOFIELD) SCO-MULE released by PROVOGUE/MASCOT 26/01/15
10 years in the pipeline have gone by but finally, this memorable live event sees the light of the day. Sco-Mule is the new live "baby" of the Gov't Mule, a band that never fails to surprise, always in a very positive way musically speaking featuring John Scofield, a very eclectic jazz-rock guitarist that has been performing with the best names in the Jazz business through the years (Charlie Mingus and Miles Davis, amongst many many others).
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- Written by: Giovanni "Gio" Pilato
The album that almost was never going to be completed; the band vocalist Nathan Hunt was diagnosed with throat cancer at the start of the recording process and one could have really feared the worst. Instead, this thunderous rock band from Jefferson City, Missouri, releases possibly their best album to date, a true labour of love and determination.
Read more: Shaman's Harvest - Smokin' Hearts & Broken Guns - The Review
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- Written by: Lee Hebert
Anticipating the delivery of Ben Ottewells new record was as much because I had no idea what his music sounded like, and equally because I was hoping to be swept off my feet. Being unfamiliar with the music of the band he is a member of, Britain's 'GOMEZ", my intention is there would be no comparisons with Gomez's music. As soon as I heard the first song, 'Rattlebag', I knew this was just the surprise I was hoping for.
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- Written by: Giovanni "Gio" Pilato
Let's clear something straight away; I think Paul Gilbert's absolute best always comes from his enormous talent on guitar and very rarely through his singing voice. Nevertheless, the album is a delightful pastiche of different music tempos and genres, in which Gilbert's signature playing style take the listeners into a fancy flight into worldwide music at 360 degrees.
Despite clocking off at approximately 42 minutes, the album offers a fabulous package of 8 covers and 3 originals, all played superbly by Gilbert. From pop classics such as Elton John's "Goodbye Yellow Brick Road" to The Beatles' "Why Don't We Do It In The Road," to more stomping rock- tempo charged tunes such as Loverboy's "Working For The Weekend" or The Police's "Murder By Numbers," the American guitarist never ceased to amaze through his eclecticism and infinite class.
The record reaches its peak on the originals, though. The album's title track that closes is the only tune sang by Gilbert and what a treat it is! The lyrics are very intimate, almost sounding personal and the sound goes into a crescendo from acoustic to electric like a rising sun. "Shock Absorber" has almost got some Zeppelin-esque echoes, while the slow number "Purple Without All The Red," is a great exercise of simplicity on guitar. It takes the listeners on an imaginary stroll throughon a South-American sea shore, lulled by the sweetness that the melody of the tune carries.
Thirteen solo albums in - and Paul Gilbert always finds the way to amaze anybody by engaging the listeners on a music path that surely, this extraordinary musician will continue to successfully follow for many years to come.
About Our Author: Giovanni "Gio" Pilato is Italian music writer, who has been living in UK since 2002. With an enormous passion for music, and life in general, his interest in the communications began at 11 years old. He worked briefly for local radios in his youth and did a one-off radio show on 2007 on the glorious BBC 6 Music Radio station. Gio started his freelance journalist career in 2012, with Italian artists, and is now mainly focusing on blues artists. To follow Gio Pilato and his all cool radio show, Visit: (RTL 102.5 Cool (Webradio)): http://www.rtl.it/Cool
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- Written by: Deb's Music Stop
ARTIST: Robin DeLorenzo
ALBUM: Walkin' Miles In My Shoes
LABEL: Independent
RELEASE DATE: May 28, 2014
Robin DeLorenzo Official Website
Because music is subjective and not objective, it must impact me before I am willing to publically comment on someone's livelihood and artisty. I give the review proces all that I can, by listening to a new CD several times. In the end, I discover something about myself and this gigantic world through the voice of a total stranger.
It brings me great pleasure to introduce Robin DeLorenzo.
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- Written by: Deb Hebert
Artist: Ray Goren
Album: Save My Soul
Label: RJRay Entertainment, Inc.
Release Date: September 23, 2014
14 year old Ray Goren is the definition of the word Prodigy. By the age of five, Goren was already playing his favorite tunes by Thelonious Monk, J.J. Johnson, Miles Davis, and Oscar Peterson on a keyboard. Later, while searching Youtube, Goren stumbled on a clip of BB King, Eric Clapton, Jeff Beck, Buddy Guy and Albert Collins playing together. Before the day was over, with the Internet at his disposal, Goren discovered many other blues and rock greats including Albert King, Stevie Ray Vaughn, and Otis Rush. After talking his parents into getting him a guitar, Goren found his calling, according to the artist's biography.
A few years later, Goren started to write his own original music which draws from a wide range of influences in all musical genres. Subsequently, Goren penned five songs on the EP, LA Sessions, which was released to critical acclaim in June 2014.
"From first to last note, LA Sessions, is a hit parade, with Goren strumming to his own beat, as the young composer cleverly integrates jazz, rock, pop, rhythm, and blues elements into one distinctly modern soundtrack," writes Bluebirdreviews.
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- Written by: Giovanni "Gio" Pilato
One cannot certainly deny two things about Joe Bonamassa: he is one of the most talented guitarists around and one of the hardest working bluesmen ever.
Different Shades Of Blue is an all-original record of 11 tracks co-written with a team of veteran Nashville songwriters, except for the opening track "Hey Baby," an obscure Hendrix cover. Superbly produced, as always, by Kevin Shirley, the album title maintains exactly the promises made by its title. Bonamassa manages successfully to experiment even further his tried-and-tested formula based on solid blues-rock, in tracks such as the powerful centrepiece of the record "Oh Beautiful," which is a crossover between a Delta Blues lament and a psychedelic-rock anthem.
