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- Written by: Bluebird
Tom Petty and The Heartbreakers: Hypnotic Eye
Reprise Records/Warner Bros.
Released: July 29, 2014
Produced by: Ryan Ulyate, Tom Petty, Mike Campbell
This is a really exciting release from Tom Petty and The Heartbreakers and we are honored to preview it. Early press from Rolling Stone and others have said this record was a revisit to Petty's first two albums, Tom Petty and the Heartbreakers (1976) and You’re Gonna Get It (1978). Just a look at the cover art and it is reminiscent of long running LP's that we classic rockers cherish. Album rock is back. However, Petty continues to take this history and move it forward, bringing all of the writing experience, independent attitude and new inspirations right along with him.
Singles were available last month and fans grabbed on to the solid foundation of classic rock that continues to be Tom Petty and The Heartbreakers. His vocals sound as solid as they did back in the 1970's, with the warm textures and unique tones that are signature Tom Petty. The Heartbreakers rock out in this 13th release, the 2nd album in the last 12 years. Petty told the LA Times, (who now consider TPATH an LA BAND!) that they worked on the record between tours and were newly inspired by young rock bands. This new album is not as thick with blues as Mojo, but there are some gems that go right to not only blues, but roots. Tom Petty fans can be reassured, the Mud Crutch days are still in our midst.
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- Written by: Deb Hebert
Artist: Ray Goren
Album: LA Sessions
Label: RJRay Entertainment, Inc.
Release Date: June 24, 2014
Don't let his bashful, adolescent expression mislead you. Ray Goren, a 14 year-old guitar prodigy from California, has the potential to reinvent any genre he explores.
"By the age of five, Goren was already playing his favorite tunes by Thelonious Monk, JJ Johnson, Miles Davis, and Oscar Peterson on a keyboard.
A few years later, while searching Youtube, Goren stumbled on a clip of BB King, Eric Clapton, Jeff Beck, Buddy Guy and Albert Collins playing together," reads Goren's press biography. "After talking his parents into getting him a guitar, Goren found his calling."
What's more, the young artist has played all around the United States since he was 10 years-old, performing in front of thousands of music go-ers at big draw events like Detroit Jazz Festival (2011) and Doheny Blues Festival (2012).
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- Written by: Bluebird
The music of Michael Marquart is a walk through images, presented to the listener in symbolic dreams. Historically, he has been the understated writer for many ground breaking music projects, and a drummer for A Flock of Seagulls. Recorded in Marquart's revamped Windmark Recording studios, and mixed by Jason Elgin (Creed, Collective Soul), his newest release, via band name A BAD THINK, is simultaneously sparse and dense. Progressive and current, Marquart lends his creativity to the score of it with vocals, drums, bass, guitar and keys. The layers are viewed by Ralph (voodoo man) Bruner's guitar and mandolin, with ethereal textures added through the vocals of Samantha Marq. Finally, additional guitars underline the edges by Mark Woerpel.
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- Written by: Lee Hebert
Review by Lee Hebert
RICH ROBINSON TO RELEASE NEW SOLO ALBUM
June 3, 2014 Circle Sound/THE END RECORDS
Stream the record on ROLLING STONE.
Every time an artist releases a solo record, and he or she is a prominent member of a relevant band, there will be comparisons. This very relevant record by Rich Robinson is going to be no different.
He is a member of one of the finest bands in rock & roll, The Black Crowes. He is a principle songwriter, band leader, musical director, guitarist and singer in the band. So consequently, Rich's influence on the sound of the Crowes is huge.
Being a Crowes fan, I realize that Rich Robinson has more to do with The Black Crowes sound than anyone else. Even his brother, front man, singer and songwriter, Chris Robinson, doesn't make solo records that sound like The Black Crowes music. Chris' vocals, of course, but his music, no.
So, with that being said, this is not a Black Crowes record. Ceaseless Sight is a Rich Robinson record. The music has a lot of the familiar song structuring, intros and the same wailing guitar licks that Crowes fans have come to crave. The big difference here, is that Rich is singing all the lead vocals. As the opening song begins, you feel the music could be The Black Crowes, but the voice isn't. By the second chorus, the Crowes leave your mind, as you dive into the strongest Rich Robinson solo album to date.
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- Written by: Bluebird
The-Quartet Shattering
Like many things in life, if we are open to the journey of exploration, a deeper understanding of ourselves occurs, and more threads appear to be followed, weaving what we love into a personal tapestry. In a conversation with Jack Hues, we discussed projects that are outside of Wang Chung. Hues' interest in jazz has been long standing. Illuminated and Shattering are two gems in the jazz music catalogs of Hues and pianist Sam Bailey. In our interview, drummer, Dave Smith is described as 'heroic' in his mastery of genre eclectisism. The Quartet and special guests are equally entrancing, progressive and pull the listener into the story lines. They create molds, for the sole purpose of breaking them.
Enter: The Quartet with Shattering on Helium Records (2008).
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Stesha Cano
"Simple As Everything"
One of the joys of running an independent music review website is the freedom to follow artists from their early careers into later seasons. Stesha Cano debuted Like A Bee in 2011 with a mix of jazz and soul that stunned audiences with its raw power.
Her sophomore album, Simple As Everything, is even stronger as she has established herself in the production world and built more sophisticated arrangements, while keeping the core of her writing locked in emotional ground zero.
We had some questions for Stesha about her influences and inspirations. Here is what she said:
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- Written by: Deb Hebert
Album Review, Interview and Commentary
TN Twisters: TWISTER WARNING
Release date: September, 2013
Label: Independent
The Nashville-based cover/original band TN Twisters are as American as apple pie, living out their dream on "the historic Broadway district, where millions trek each year to get a dose of live country music". The sextet formed when Carol "Beth" Garner (left), the band's lead singer and guitarist, collaborated with fiddle player IvaLee Pitts (not shown), Stan Saxon on drums (hat), Gage Boecker on the upright bass (far right), multi-instrumentalist and internationally acclaimed Rory Hoffman (not shown) on accordion, harmonicas, and saxophone, and violin goddess Olivia McPeek (right).
"It's a real grassroots operation," discloses Garner, during our recent phone conversation wherein she freely discusses the challenges of being a small fish in a big pond and her multiple roles as manager, singer, songwriter, guitarist, and website designer. Most recently, artwork creator and music producer were added to an already impressive list of accomplishments. The tone of her voice is friendly, and yet determined. It is clear she loves to have fun and make music with her bandmates.
I am told the group thrives on crowd interplay and on-stage antics. "The drummer, Stan, "Stanimal", he's the comedian," says Garner, referring to his light-hearted humor that rolls off-the-cuff at any given moment. What's more? The female lead-trio engage in a game of Twister while playing their respective instruments, owing to their unique band name. Such playfulness has set this act apart from other musical line-ups in the area. So much so, they caught the attention of two tourists in 2013, who later flew the entire band to Norway to play at the couple's restaurant/tavern. Plans to return next summer for an expanded tour in the region are in the works.
The TN Twisters' cross expansive terrain on their debut album, Twister Warning, with twin fiddles, slide guitar, squeezebox, accordian, sax music, and reverberating "yodel le he hoo". The listener is treated to an authentically eclectic mixture of styles that transcend one genre, one space, channeling to the heart of America and the deep South. Country meets rock; Americana intersects blues. And the vibrant sounds of New Orleans fuse with traditional jazz and folk. It's a seven song musical whirlwind that makes you feel like you've visited the Grand Ole Opry, a famous blues-jazz dinner club, and local barn dance, all in one sitting. The songs are well-crafted, with catchy melodies, smooth harmonies and impeccable musicianship.
On first listen, "Trouble of Mine" became one of my favorite tracks. I liken Garner's tender and carefree vocal to that of Ricky Lee Jones or Cheryl Crow. Backed by beautifully sung harmonies, the song wipes away any stress and carries you off to a safe place. It's very well done and, in my opinion, a hit song.
Imaginative songwriting skills turn to reality on "No Reply", as Garner tackles technology and modern day break-ups. It's catchy, up-tempo and a track that'll resonate with anyone who has (unfortunately) been dumped in this manner.
Reminiscent of any number of "corn pone" comedic skits on the American television variety show, Hee Haw, the TN Twisters' dead-pan delivery on "Lil Ol Lady" will have you hanging onto each verse. "Faster! Faster! Faster!" This particular piece must be a visually-dramatic, laugh-a-minute, highlight of their live shows. "Faster!"
All in all, there's nothing stale, traditional, or forgettable about Twister Warning. The songwriting and musicianship is expressive, uptempo, a breath of fresh air and strikingly memorable. It is not to be categorized, but embraced.
Twister Warning is available for preview and purchase via cdbaby. Stay in the loop by following the TN Twisters via their website, Facebook , Reverbnation, and Twitter. And if you get the opportunity to see the band live, please send me some feedback.
Yours in music,
DebFromMaine Hebert
Photos courtesy of TN Twisters. All rights reserved. 2013.
